Station

“Station” sounds like a duet of two voices, but it isn’t.

The talented Låpsley, a 17-year-old English singer/songwriter produced this track by pitching her vocals differently.

(I could walk you)
(I could walk you)

Two for the taking
You can have it all at once if you make it sane
It’s gonna drive you
Back down the roads and the streets and pavements
Stamping your ground and the rules that shaped us
(That shaped us)

I chose this song to illustrate duality, something that can be present in human beings for all kinds of reasons—mental illness, deception, and in its extreme form, a symptom of a psychopathic mind.

As a writer who has studied psychology and continues to do so out of interest, the human mind never ceases to amaze me—especially when there are abnormalities.

Cause I could walk you back to the station
Talk about our own frustrations
Cause I could walk you back to the station

What is the station that is referred to in this song? Is it merely the place where a person stands along a route to catch a bus or train?

Or is it referring to something deeper—perhaps one’s station in life? It’s somewhat of a dated expression but an intriguing thought, nonetheless.

Consider if we are destined for a certain position based solely on where we are born or who our parents are, then how do we break out of the mould? What are the risks and sacrifices one must make for this to happen?

When my main character Kate realizes that her station in life may be pre-destined, she becomes increasingly desperate to dig up her past to find the answers. But at what cost?

It begs the question for many of us when faced with challenges in our lives, is it better to pursue the truth or is it better not to know?

I know what my preference is. 😉

Wishing you a week of mystery and intrigue,

~eden

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The Sound of Silence

Hello darkness, my old friend
I’ve come to talk with you again

Very few people will not know this song from its opening lines. Written by Paul Simon in 1963, numerous artists have recorded “The Sound of Silence” over the years.

This haunting version by Nouela achieves added poignancy with dramatic film clips. Like the song’s lyrics, many of the snippets will look familiar.

And in the naked light I saw
Ten thousand people, maybe more
People talking without speaking
People hearing without listening

I live many days in silence from the world. It’s a purposeful “shutting out” of noise, mainly speech. Since my mid-twenties, I estimate I’ve lived a year’s worth of days without saying a word, attained through silent meditation retreats and time on my own.

Silence is my way to decompress and reconnect to self, so it’s not surprising that it’s an ongoing theme in my stories.

I explore silence with the internal battles of my main character, Kate, and in her relationship with her father.

“Fools”, said I, “You do not know
Silence like a cancer grows
Hear my words that I might teach you
Take my arms that I might reach you”
But my words, like silent raindrops fell
And echoed in the wells of silence

The proverb “Silence is golden” is used in situations when saying nothing is thought to be preferable to speaking. I don’t disagree with this. I’m much more of a listener than a talker anyway, but silence can also be toxic.

In the case of Kate, her resolve to keep quiet is one that causes her great angst. It’s been challenging and painful writing this chapter in her life.

And on that note , I’d like to wish you all a wonderful week, whether it’s quiet or boisterous. 😉

If everything has gone according to plan, I am currently out of the country with no access to Internet.

It will be the first time in over fifteen years that I’m leaving my laptop at home. It’s the kind of silence I really need right now.

I will definitely respond to comments when I return next week.

Sending hugs,

~eden

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EDEN BAYLEE BOOKS is no more

My website http://www.edenbayleebooks.com has closed its virtual doors. The domain name is one I purchased for a site that showcased my books. It was primarily a static website.

My main activity has always been on this WordPress blog, which I opened in November 2010.

And though Wordpress.Com and I have had a good relationship all these years, it’s time to move on.

I won’t go into the details of all the changes I’ve been making over the past weeks, but the impetus for them has to do with updating the look of my site and giving me more control over the content. After much research into the two platforms, I decided to move from the free WordPress.com to the self-hosted WordPress.org.

Though I could have given my log-in and password to WordPress Support to make the transfer for me, I elected to tackle the job myself after reading all the tutorials. It sounded straightforward.

The backend of this blog may look like a swamp of codes and links and tags, but I was used to it after seven years of  blogging.

How hard could it be?

So … let me tell you—five days of cursing and sleepless nights later, I moved over all the information!

I won’t say it was difficult, but easy—it was not! Nor was it intuitive. It’s never as simple as they make it out to be in the tutorials. This is what happens when you are a “do-it-yourself” type of person. The good thing is I learned a lot about the finicky process, so if you ever decide to embark on the same type of data migration, I’m more than happy to share my tips if you run into similar issues.

If you visit this blog regularly, please continue to do so. I will try to make the transition as seamless as possible. Most of the work involves archiving and amalgamating information on the backend. It should not affect how you access my blog or what you see on the frontend, however … where technology is concerned, things may go wonky. (Don’t you love my sophisticated tech speak?). 😉

If you notice something odd/missing/broken in the next couple of weeks, it’s probably due to something I’ve done. It should be fixed before my new site goes live.

Moving forward, please continue to find me at: edenbaylee.com which I have mapped to this blog while I’m building the new site.

When the new website is up, this blog will revert to its original name of http://www.edenbaylee.wordpress.com and eventually close.

As always, thank you for stopping by. It gives me great pleasure to know you’re reading my words. Hopefully, the new site will look even more inviting. I aim to have it up by early February.

 

 

 

 

eden 

 

 

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With or Without You

This is my favourite of U2’s songs, first released in 1987. Though many interpretations exist for the song’s lyrics, it was apparently inspired by Bono’s conflicting feelings about his duo life — as a rock star and as a regular man. I also love the Canadian connection of this song, co-produced by Daniel Lanois (with Brian Eno).

See the stone set in your eyes
See the thorn twist in your side
I’ll wait for you

Sleight of hand and twist of fate
On a bed of nails she makes me wait
And I wait without you

Oddly, I did not learn about this song at its peak. A few months following its release, I was in Hong Kong on a journey that would last almost two years through Asia and Europe. In Asia, western hit songs only typically grace the airwaves years after its popularity has waned, if at all. Though music was always important (I travelled with my Sony Walkman), I had resolved to listen only to the cassettes I brought with me and the music of the country where I visited.

Through the storm, we reach the shore
You give it all but I want more
And I’m waiting for you

With or without you
With or without you, 
I can’t live with or without you

The unique version of this song is an instrumental mashup featuring the trio, Simply Three, classically trained string musicians and the American Heritage Lyceum Philharmonic. They’ve combined “With or Without You” with “Montagues and Capulets,” a classical piece by Russian composer Sergei Prokofiev from Shakespeare’s Romeo and Juliet.

Ill-fated lovers.

It’s a theme that is explored over and over again in my writing, and one for contemplation by my main character, Kate Hampton.

My hands are tied, my body bruised
She got me with nothing to win
And nothing left to lose

With or without you
With or without you, 
I can’t live with or without you

If you’ve read Stranger at Sunset, you will know Kate doesn’t get everything she wants. How this resolves as her story progresses is what I’m writing now.

Living “with or without you” is also reflected in her relationship with her father—two people related by blood, yet with so such animosity toward each other.

In A Fragile Truce, many of the questions surrounding her contentious relationship with her father will be answered.

I hope you enjoy this moving piece of music. Wishing you a wonderful week,

~eden

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Cigarettes After Sex

I’ve never been a smoker.

The one and only time I put a cigarette between my lips was more than forty years ago. My best friend’s father smoked, so we stole one of his cigarettes and stood over the kitchen sink to try it. I’m not sure why we decided to do it there.

In case we vomited?

Possibly.

To drop the ashes down the drain?

Well … we never got that far.

After one long, enthusiastic inhale, I knew smoking was not for me.

The burning in my throat.

The coughing.

The tears.

YUCK! Smoking never tempted me again.

But though cigarettes are no longer en vogue, I do love the visual metaphor of two people smoking in bed. It’s a familiar image we’ve seen represented in film. It speaks to lovemaking, romance, and eroticism. The cigarette seduces without subjecting the viewer to its harmful effects, which brings me to this week’s music choice.

Got the music in you baby
Tell me why
Got the music in you baby
Tell me why
You’ve been locked in here forever and you just can’t say goodbye

Cigarettes After Sex is a four-person band out of Brooklyn. With their minimalist black-and-white artwork, slow-paced melodies, and tender vocals, their songs make me want to crawl into bed and drift into a hazy daydream.

Your lips
My lips
Apocalypse
Your lips
My lips
Apocalypse

I chose Cigarettes After Sex’s song, “Apocalypse” for its sweet and sentimental lyrics. In Stranger at Sunset, protagonist Kate Hampton is missing someone she first met in Jamaica. As circumstances dictate their fate, there is much left unsaid between them. This sense of absence follows her to A Fragile Truce, the book I’m writing now.

Go and sneak us through the rivers flood is rising up on your knees
Oh please
Come out and haunt me
I know you want me
Come out and haunt me

To portray Kate’s feelings, I thought of choosing oldies like “Miss You” by the Rolling Stones or “Missing You” by John Waite. I love both these songs because they express the sentiment of missing someone, and yet, the lyrics were too familiar. They had lost their emotional impact for me.

Got the music in you baby
Tell me why
Got the music in you baby
Tell me why
You’ve been locked in here forever and you just can’t say goodbye
You’ve been locked in here forever and you just can’t say goodbye

The coda of “Apocalypse” captures the hardship of separation and loss beautifully, for as difficult as saying “goodbye” can be, not being able to say goodbye is … apocalyptic.

Oh
When you’re all alone
I will reach for you
When you’re feeling low
I will be there too

Wishing you a warm, inspired week. May none of us experience anything apocalyptic, unless it’s great sex of course. 😉

~eden

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