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Station

“Station” sounds like a duet of two voices, but it isn’t.

The talented Låpsley, a 17-year-old English singer/songwriter produced this track by pitching her vocals differently.

(I could walk you)
(I could walk you)

Two for the taking
You can have it all at once if you make it sane
It’s gonna drive you
Back down the roads and the streets and pavements
Stamping your ground and the rules that shaped us
(That shaped us)

I chose this song to illustrate duality, something that can be present in human beings for all kinds of reasons—mental illness, deception, and in its extreme form, a symptom of a psychopathic mind.

As a writer who has studied psychology and continues to do so out of interest, the human mind never ceases to amaze me—especially when there are abnormalities.

Cause I could walk you back to the station
Talk about our own frustrations
Cause I could walk you back to the station

What is the station that is referred to in this song? Is it merely the place where a person stands along a route to catch a bus or train?

Or is it referring to something deeper—perhaps one’s station in life? It’s somewhat of a dated expression but an intriguing thought, nonetheless.

Consider if we are destined for a certain position based solely on where we are born or who our parents are, then how do we break out of the mould? What are the risks and sacrifices one must make for this to happen?

When my main character Kate realizes that her station in life may be pre-destined, she becomes increasingly desperate to dig up her past to find the answers. But at what cost?

It begs the question for many of us when faced with challenges in our lives, is it better to pursue the truth or is it better not to know?

I know what my preference is. 😉

Wishing you a week of mystery and intrigue,

~eden

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